36/17
Jean Reno shot scenes for the film, but they were cut entirely from the finished film
Tale
A powerful CEO puts her career and family on the line as she embarks on a whirlwind romance with her much younger intern. I recently watched Babygirl, and I have to say it’s one of the most unique and daring thrillers I’ve seen in a while.
First, the visuals are stunning
Directed by Halina Reijn, the film delves deep into the complexities of human desire and power dynamics, wrapped in an intense, almost suffocating atmosphere. Jasper Wolff’s cinematography captures the raw emotion of each scene, blending light and shadow to create a moody, almost dreamlike world.
Nicole Kidman gives a stunning performance, bringing a mix of vulnerability and cold calculation to her character
There’s a constant sense of tension, as if something explosive is always on the verge of happening, and the pace keeps you moving forward at all times. The supporting cast, while lesser-known, also do a great job of adding depth and unpredictability to the story.
However, Babygirl is not for everyone
Without giving too much away, the film’s exploration of psychological control and submission is both disturbing and captivating. Its erotic elements are tastefully done, but some viewers may find them uncomfortable or contradictory.
It’s spooky, stylish, and will keep you thinking about it long after the credits roll
The plot sometimes feels deliberately ambiguous, forcing you to piece together the characters’ motivations, which I found intriguing but may be frustrating for others. Overall, if you love psychological thrillers that don’t shy away from taboo subjects or push the envelope, Babygirl is definitely worth a watch.
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